Make Your Own R. Stevie Moore Mixtape
May 18th, 2012
Since new Wire magazine cover boy R. Stevie Moore has so helpfully posted nearly 200 of his own albums on Bandcamp, I have gone to the trouble of listening to about 75% of them. Rather than point you toward a few select albums such as Swing And A Miss or Returns or Advanced, I will take the time to collect some of my favorite tracks as a mixtape of sorts. I will do this like it fits on a 80-minute CD-R because I don’t know how to dub cassettes from mp3s. Helpfully again, all of these are individually for sale through the RSM Cassette Club Bandcamp. All of these tracks can be bought for $1 a piece. This mixtape I just concocted would be $16 and well worth it.

On newsstands now. On the cool newsstands, at least.
- “Idiot Opium” (from Urgent/XVII, 1980) (6.51) – One of the few songs that sounds like its’ title. Reminds me of solo John Frusciante but with a sense of humor.
- “Lisbon Lesbian” (from FM FM, 1983) (3.52) – Chattering drum machine clangs with a fake salsa beat, helped by trashed percussion, acoustic guitar, nice popping bass and RSM’s borderline monotone.
- “She’s Not Ready (I Won’t Wait)” (3.02) (from It’s What’s Happening Baby, 1983) – New wavish, wahed-out guitar, dubbish bass. RSM sounds David Byrne-y.
- “There Is No God In America” (5.00) (from Crises, 1983) – Mostly pulsating synth beds with some great guitar work as RSM intones the title as only he can.
- “I Not Listening” (from NEXT, 1974) (3.33) Finally out of the 80s with an great early cut. Impressive feedback control.
- “What Do I Do With The Rest Of My Life” (from Manuscription, 2006) (4.52) Collaboration with Lane Steinberg who handles verses while RSM sings choruses.
- “National Debate” (from Stalactites & Stalagmites, 2011) (3.46) Stately melody over rocking militaristic backing from Tropical Ooze. Sounds vaguely Elvis Costello, if Elvis Costello were any good.
- “Pi” (from Errorism, 2010) (8.30) A shrill ambiance that build and builds. Feedback, musique concrete, Frippertronics, and Godley and Creme know what else.
- “My Bad Music” (from Quits, 1979) (5.29) I put this song in just for the line “Live music/makes me sick/I hate it”. It’s also a sad catchy song from a guy who was already fed up.
- “I Go Into Your Mind/Quite Nice Dream)” (from The Yung & Moore Show, 2006) (5.01). Yukio Yung remakes RSM’s 1978 classic track and rockets it into the stars where it always hinted at being from.
- “Parents” (from Gets Off, 1984) (3.50) At times, RSM’s singing sounds like a strangled muppet and yet his songwriting sounds as carefree and tossed off like he could do things like this in his sleep.
- “Cannot Keep My Fingers Out Of My Mouth” (from Sample For Approval, 1978). (4.11) There’s a bass on this song, but you can’t really tell.
- “Steviepink Javascript” (from The Jinx, 2001) (5.59) – Be patient for the first seventy-five seconds, because after that it gets gooooood. RSM and Michael Zanna go at it like two hipsters passive-aggressively throwing shots at each other while a great rhythm plays under.
- “Play” (from Play, 1976) (3.45) – Power-pop with some great guitar licks and RSM’s squeaky voice.
- “Habitat” (from It’s What’s Happening Baby, 1983) (5.16) – A great example of RSM revisiting his older tracks. This one was originally done for Play in ’76 then revamped with a fast drum machine beat.
- “We’re In Vietnam” (from A.W.O.L., 2008) (5.56) Another remake from Play, but this one was revisited many times in the 32 years inbetween. A McCartney & Wings-take on a song that compared a painful breakup to war.



